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Pistachio Wars and Doom and Gloom

Rowan and I were at UC Santa Barbara last month presenting Pistachio Wars. We had a wonderful Q&A after the screening, which you can see below. Subscribers can listen to it on our usual podcast feed and read a cleaned up transcript below.

Thank you to Rich Farell and everyone at Carsey-Wolf Center for having us out and being such gracious hosts. Sorry for being such a doomer. But desperate times and all that… Of course watch Pistachio Wars if you haven’t already.

—Yasha



Rowan and I were at UC Santa Barbara last month presenting Pistachio Wars. We had a wonderful Q&A after the screening, which you can see below. Subscribers can listen to it on our usual podcast feed and read a cleaned up transcript below.

Thank you to Rich Farell and everyone at Carsey-Wolf Center for having us out and being such gracious hosts. Sorry for being such a doomer. But desperate times and all that… Of course watch Pistachio Wars if you haven’t already.

—Yasha

RICH FARRELL: Okay. My name is Rich Farrell. I’m a graduate student in the Film and Media Studies Department, and I’m pleased to be joined by the filmmakers of Pistachio Wars, Yasha Levine and Rowan WERNHAM. So a round of applause for you.

YASHA LEVINE: Thank you.

RICH FARRELL: So I just wanted to start the Q&A with some background and beginnings. First to you, Yasha. At the beginning of the film, you say that the story started with a piece that you wrote, “A Journey Through Oligarch Valley,” in 2013, which was published in Not Safe for Work magazine online. Can you tell us a little bit about your background, how you came to work on that story, and then how you decided to adapt this into a documentary?

YASHA LEVINE: Well, I’ll try to keep it brief. Thank you. Thank you everyone for coming.

I had been out of the country and started my journalism career reporting out in Russia, and I kind of missed the whole real estate bubble, the speculative boom that happened here, and the collapse that happened in 2007, 2008. I had been abroad watching it from afar. And when I came back to America, I was really curious about what it was all about. So I moved to LA and I was casting about for the best example of a speculative city that embodied the speculative boom.

I kind of toured California and chose Victorville -- a little suburb in the Mojave Desert, halfway between L.A. and Las Vegas -- because I really wanted to understand the kind of society, the kind of civilization that this boom created. Like what remained when Wall Street crashed and had to be bailed out…

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